Deconstructing the #KU_WWI LIVE Tweetenactment

The #KU_WWI Twitter Project never intended on being a strictly historical representation or chronological timeline of the events that occurred in Sarajevo on 28 June 1914. Rather, it proposed a more creative approach – a human-focused interdisciplinary perspective that included history but also had geographical, literary, music and other social science and humanities elements both past and present. In other words, it was intended to be a social media performance piece that might inspire followers to learn more about World War I history.

But that doesn’t mean the project was entirely devoid of historical fact. In this blog post, we’ll deconstruct the #KU_WWI LIVE Tweetenactment and point out any interesting bits you might have missed on the day of the event.

The #KU_WWI LIVE Tweetenactment began at 9:30 am, 100 years to the minute (not accounting for the time difference) that Archduke Franz Ferdinand and Duchess Sophie departed Hotel Bosna in Ilidze for their official visit to Sarajevo. The morning begins with reference to the previous mini tweetenactment #IheartBosnia that ends with an exchange in which the Archduke tries to cancel the next day’s visit and the Governor insists. This discussion between the Archduke and Governor Potiorek actually took place the night before the assassination when both were attending a celebratory dinner at Hotel Bosna.

 

The morning of the assassination, the conspirators did in fact meet in a back room of Vlasjić’s Pastry Shop. There they received their weapons, and then identified strategic positions along the Miljacka River using a map of the parade route that had been published in local newspapers. For weapons, Gavrilo Princip chose to take a gun, Nedeljko Čabrinović took a bomb, and Trifko Grabež chose both – as indicated in the Tweetenactment.

 

At Vlasjić’s Pastry Shop conspiracy organizer Danilo Ilić distributed cyanide capsules – rather than be apprehended, the assassins intended on taking their own lives. As audience members learned to great dramatic effect, the cyanide capsules were old and did not kill the assassins who swallowed them.

 

Archduke Franz Ferdinand and Duchess Sophie were in the 3rd car in the motorcade. They rode in a Viennese Graf & Stift Bois de Boulogne open touring car that sported a yellow and black Hapsburg flag. A man named Leopold Loyka drove the car.

 

As the motorcade moved along the parade route, most of the assassins failed to act. There is still some controversy as to why – some may have had second thoughts, some might have froze – a few claimed during their trial that they were being watched too closely by police stationed in the crowd. Whatever the reason, in the end, only Nedeljko Čabrinović and Gavrilo Princip went through with the assassination plan.

 

The first assassination attempt on June 28th occurred when Nedeljko Čabrinović pulled out the bomb he’d received at Vlasjić’s Pastry Shop, struck its detonator cap against a lamppost, then hurled it at the Archduke.

 

Seeing the bomb, driver Leopold Loyka quickly accelerated and Archduke Franz Ferdinand raised his arm in an effort to protect Duchess Sophie. The bomb bounced off the back of their car and exploded under the car behind them. The passengers in the Archduke’s car were relatively unhurt – Duchess Sophie did receive some minor injuries.

 

The passengers of the 4th car as well as 20 spectators were injured by the explosion and taken to a local garrison hospital.

After tossing the bomb, Nedeljko Čabrinović swallowed his cyanide capsule and shouted, “I am a Serbian hero” before leaping into the Miljacka River – which, because it was Bosnia in June, was only a few inches deep. He was quickly apprehended by police and taken away.

 

The motorcade sped down the Appel Quay to city hall. Many of those waiting for the Archduke to arrive at city hall, including the mayor, thought the loud noise they had just heard was from a car backfiring or a cannon salute – many had no idea about the assassination attempt. Entirely unaware, the mayor launched into his prepared speech:

 

It is true that the mayor’s speech was interrupted by Archduke Ferdinand who exclaimed:

 

And the awkward moment in which the flustered mayor continued to read his prepared speech to which Archduke Ferdinand replied by reading from the pages of his own prepared remarks visibly splattered with the blood of his aide is also a matter of historical fact.

 

After the visit at city hall, it was agreed that instead of continuing with the official itinerary, the Archduke should visit those wounded by the earlier assassination attempt. Ironically, the person in charge of telling the driver of Archduke Ferdinand’s car about the change in destination was one of those injured in the bombing, and was therefore at the hospital unable to perform his duties.

 

Gavrilo Princip, the only assassin still committed to seeing the plot through, had wandered down Appel Quay to the corner of Franz Josef Strasse and was loitering in front of Schiller’s Delicatessen. During his trial he confessed he was just wasting time after a long and disappointing day. He was sure that the motorcade would change the planned route, and was stunned when it continued along its original path and passed right in front of him.

 

There is some controversy as to whether Archduke Ferdinand’s car stopped in front of Gavrilo Princip or actually backed up to him (did the car have a reverse gear?) – regardless, the assassin found himself less than 5 ft from his marks. It is said that upon seeing Duchess Sophie, Gavrilo Princip hesitated for several seconds before discharging his weapon. At his trial, he insisted that her death was an accident and while his accounts deferred, at one point said he was so excited he could not recall how many times he fired the gun or even where he aimed.

For the assassination, lyrics from the band Franz Ferdinand’s song, “All For You, Sofia” were used to illustrate the shooting. The juxtaposition highlights Gavrilo Princip’s youth – he was only 19-years-old at the time of the assassination and had he been alive today, might very well have liked this popular indie rock band. Using the modern day band’s lyrics in this context also educates fans that might not have fully understood the song’s historical context.

 

The shots fired by Gavrilo Princip struck both Archduke Franz Ferdinand and Duchess Sophie. Duchess Sophie, turning to her husband and seeing blood on his face, cried out her final words:

 

Seeing his beloved wife slump down in her seat, Archduke Franz Ferdinand whispered his final words to her:

 

The Storify for the LIVE Tweetenactment concludes with the deaths of Archduke Ferdinand and Duchess Sophie. For an epilogue, the Tweetenactment features eleven graphic representations of the assassination in what we call #AssassinationReimagined. This was followed by eleven newspaper headlines in different languages. Both illustrate how the world learned about the fateful events in Sarajevo that would eventually lead to global conflict.

 

In the epilogue, the number eleven was specifically chosen for its symbolic significance in WWI history. Last rites were said over the bodies of Archduke Ferdinand and Duchess Sophie at 11pm. The license plate of the car they were riding in when they died was “AIII 118” which some claim eerily prophesizes 11/11/18, the date of the WWI armistice at the eleventh hour of the eleventh day on the eleventh month in 1918.

While this concluded the LIVE portion of the #KU_WWI Twitter Project, the tweets didn’t stop there. Over the next few days we will release the Storifies for what happened in Sarajevo following the assassination, how the world found out and reacted, what happened to Archduke Ferdinand and Duchess Sophie’s children, and the literary interpretation of these events.

Click here to learn more about the #KU_WWI Twitter Project. Click here to read more about the characters.

Sources:

Christopher Clark, The Sleepwalkers: How Europe Went to War in 1914, (New York: Harper Collins, 2012).
Greg King and Sue Woolmans, The Assassination of the Archduke: Sarajevo 1914 and the Romance that Changed the World, (New York: St. Martin’s Press, 2013).
John Keegan, The First World War, ( New York: Vintage Books, 1998).
Max Hastings, Catastrophe 1914: Europe Goes to War, ( New York: Knopf, 2013).
Sean McMeekin, July 1914: Countdown to War, (New York: Basic Books, 2013).

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#KU_WWI LIVE Tweetenactment

On 28 June 2014, #KU_WWI Twitter Project staff and 8 members from the Lawrence community met at the National World War I Museum at Liberty Memorial in Kansas City to LIVE Tweetenact the assassination of Archduke Franz Ferdinand exactly 100 years after his death.

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University of Kansas faculty, students, and members of the local community learned about the historical event and wrote many of the tweets for the reenactment during Spring 2014. These contributions were formed into a Master Script that was uploaded into an automated system that began tweeting out using the hashtag #KU_WWI at 9:30 am on June 28th, exactly 100 years to the minute (not counting the time difference) that Archduke Franz Ferdinand and his wife, Duchess Sophie, left Hotel Bosna to begin their fateful visit to Sarajevo.

The 8 LIVE tweeters had advanced copies of this script, and were tasked with researching, adding, embellishing, explaining, retweeting and responding to the automated script in the voice of the character or characters they represented.

The end result was, as one #KU_WWI staff member likes to describe it, a “historically-inspired, humanities-driven improvisational social media jazz piece” that gave voice, agency and narrative to the persons involved in this event often perceived as the starting point for a war that would result in the death of 17 million people.

#KU_WWI Project staff would like to thank the National World War I Museum for hosting us on June 28th. And we would especially like to express our gratitude to the smart, witty, creative, history-loving and community-driven LIVE tweeters who took time out of their busy lives to research these events and share their unique perspectives. Thank you, tweeps!

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While the assassination occurred on June 28th, it wasn’t until one month later, on July 28th, 1914, that Austria-Hungary declared war on Serbia and the First World War officially began. In remembrance of this momentous day in history, #KU_WWI staff have waited until exactly 100 years later, 28 July 2014, to release the Storify of the LIVE Tweetenactment of the Assassination of Archduke Franz Ferdinand.

The month long delay in releasing the LIVE Tweetenactment has somewhat disrupted the project’s historical timeline – the follow-up mini tweetenactments of what occurred in Sarajevo after the assassination, the reaction of leaders from around the world, and the experience of the couple’s children will be somewhat out of time and place when we release them in August. But we still felt the wait was symbolically worthwhile. As the WWI centennial commemoration progresses over the month of August and we learn more about how this conflict shaped the 20th century, we hope these #KU_WWI Storifies are small reminders of the human side of these events, and make us think back to what occurred just one month earlier in Sarajevo.

May these events always be remembered, and the people never forgotten.

Click here to learn more about the #KU_WWI Twitter Project.

Click here to read about the #KU_WWI Twitter Project in the Washington Post.

#KU_WWI Characters Revealed

By the time #KU_WWI characters like @ArchdukeFranzi and @G_Princip1914 began the LIVE Tweetenactment on June 28th, many had already been introduced through a series of vignettes we like to call “Mini Tweetenactments.”

In #SafetyFirst, the governor of Bosnia and police commissioner of Sarajevo introduced audiences to security concerns in Sarajevo. #Conspiracy acquainted followers with the assassins and their plot, and #WhySarajevo explored the reasons for the Archduke’s visit to Bosnia. #All4USophie, one of the more popular mini tweetenactments, shared words written by the Archduke to his morganatic wife, Duchess Sophie – their romance arguably being one of the greatest in the 20th century. #BlankCheck illustrates how war between Serbia and Austria had been fomenting long before the assassination of the Archduke on June 28th. And #IheartBosnia features an ensemble of characters as they tweeted about their lives in the months, weeks, and days before the fateful summer day in 1914.

The main characters in these mini tweetenactments were created by #KU_WWI staff. Each account took about 30 minutes to create, and in order to keep the accounts active, #KU_WWI staff had to regularly sign-in as each character and monitor their twitter accounts. In order to generate interest in the project, #KU_WWI staff made it a point of following each twitter account that followed @KU_WWI leading to some very funny responses.

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While building a following for the project, #KU_WWI staff also worked on developing the voice and perspective of each character using sources like Greg King and Sue Woolmans’ The Assassination of the Archduke and Christopher Clark’s The Sleepwalkers. We tried to humanize each character by adding personality quirks – for example, the #Conspiracy mini tweetenactment not only conveys a group of disenfranchised, radicalized youth but also illustrates the carefree and loose-lipped nature of assassin Nedeljko Čabrinović – an increasing source tension between he and his more taciturn friend, Gavrilo Princip (King and Woolmans, pg 177).

While we tried as often as possible to use historically accurate quotes (with some artistic license for fitting the quote into 140-characters), we made an early decision that each character embody an overarching (even though sometimes fictional) “truthiness” instead of a purely biographical representation or controversially factual truth. Some characters represented whole factions of ideas or movements, as in the case of Serbian Chief of Intelligence Dragutin Dimitrijević and what we set up to be his Austro-Hungarian counterpart in General Conrad von Hötzendorf. Others, like the world leaders, represented the majority consensus of whole countries.

Some of the quotes or sentiments we tried to express actually came from people never mentioned during the course of the project. Making a twitter account for each and every person involved in these events would have been highly impractical, so instead we used the account of a character that more than likely agreed with this person’s opinion. A good example of this is in the mini tweetenactment #IheartBosnia where @CommishGerde shares specific concerns about safety in Sarajevo — these concerns were actually voiced to Duchess Sophie on the night before the assassination by Dr. Josip Sunaric, vice president of the Bosnian diet (King and Woolmans, pg 194).

While the mini tweetenactments were intended to introduce the main characters involved in these events and educate about their lives preceding June 28th, 1914, they had the additional benefit of inspiring volunteers to create their own characters and share new and often creatively unique perspectives.

By the time of the LIVE Tweetenactment, community members had created Twitter accounts for Little Zophie, the Archduke’s daughter, her tutor Otto Lev Stanovsky, the chauffer for Archduke Ferdinand’s car in Sarajevo, and even the car itself. Occasionally audience members even heard from Austro-Hungarian Emperor Franz Joseph I’s beard.

 

 

One of the most popular community-created characters was fictional pastry chef Dmitrije Stefanovic. Known as @KingofCevapi, Dmitrije personified that of the innocent bystander – just a man trying to make a living in Sarajevo as a Serb business owner while all of these events unfolded around him. It was this character that coined the phrase #franzophie, that became so popular in the Washington Post article about Duchess Sophie’s romance with Archduke Franz Ferdinand.

 

 

In the weeks before June 28th, #KU_WWI staff turned over certain main characters to volunteers who would LIVE tweet the assassination. This gave the community members time to research their character and also pick up the tone of that character’s twitter account before the LIVE Tweetenactment.

Each volunteer was asked to research, add, embellish, explain, retweet and respond – a significant commitment for those who were just volunteering. Each participant also had to reflect on how to be creative while still honoring the memory of the people involved in these events. Each had to decide where to draw the line between engaging audiences with creativity and educating audiences about the significance of this tragedy — a decision heavily influenced by their sincere and genuine interest in and enthusiasm for World War I history.

On June 28th, LIVE Tweeters represented: @ArchdukeFranzi, @Duchess_Sophie, @GovPotiorek1914, @SarajevoMayor, @CommishGerde, @G_Princip1914, @N_Cabrinovic, @C_Popovic and they were joined by the community-made accounts @luckystift1911, @LeopoldLojka, @Little_Zophie, @Fr_Stanovsky, @Emperors_Beard, and @KingofCevapi.

A big thank you to our LIVE tweeters who brought these characters to life!

The Storify of their LIVE Tweetenactment will be posted on Monday, July 28th, 2014. Stay tuned!

Click here to learn more about the #KU_WWI Twitter Project.

Call For Tweeters #1 this Wednesday, April 9

KUWWI Call for Tweeters Flyer 2.indd

The #KU_WWI Twitter Project’s first Call for Tweeters will be this Wednesday (April 9th) at 7pm in the Malott Room of the Kansas Union (6th Floor).  Students, faculty, and members of the KU community are welcome to come!

The general idea is to have KU students, faculty and staff create a script for reenacting the assassination of the archduke which will tweet-out live on June 28, 2014, 100 years after the event. You don’t need a twitter account, and you don’t necessarily need any knowledge of WWI or the assassination of Archduke Franz Ferdinand.  All you need is creativity and the ability to summarize what you learn into 140 character tweets!

There are two upcoming opportunities for participation:

Wednesday, April 9, 7pm, Malott Room Kansas Union
Wednesday, April 30, 7pm, Alderson Auditorium Kansas Union

Participants are encouraged to come to one or both events (available for GAP credit).  There will be light refreshments and door prizes.  Select participants will receive copies of:

The First World War by John Keegan
The Sleepwalkers, How Europe Went to War by Christopher Clark
Catastrophe 1914 by Max Hastings
July 1914: Countdown to War by Sean McMeekin
The Assassination of the Archduke by Greg King and Sue Woolmans
Good Soldier Švejk by Jaroslav Hašek

Questions? Contact Project Leader Sam Moore (KUWWI@ku.edu) or submit your question or comment below:

Watkins Museum WWI Lecture Series

Yesterday at the Watkins Museum, KU Department of Germanic Languages and Literatures Professor Lorie Vanchena shared the why’s and the how’s KU will commemorate World War I over the next four years.  Professor Vanchena, who is also the Director of the European Studies Program, is the chair of the KU Planning Group for WWI Centennial Commemoration Activities 2014-18.  Over 15 academic units on the KU campus have come together to develop WWI centennial programming including: WWI Campus Walking Tour; Film Series; international conference on “Everyday Life on the Eastern Front”; and numerous archival collections and exhibits made open to the public.

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Following Professor Vanchena’s lecture, recent KU graduate, Sam Moore, discussed his work on the KU WWI Twitter Project, a social media e-reenactment of a WWI event loosely based on the successful re-creation of William Quantrill’s raid on Lawrence (#QR1863) staged last August. Working with the KU Center for Russian, East European & Eurasian Studies (CREES), Sam is developing an interdisciplinary guide to understanding the assassination of Archduke Franz Ferdinand, the event often cited as the beginning of WWI.  The guide will enable KU students and members of the community to help write a master script for an e-reenactment, which will tweet in real time on June 28th, 2014, the 100th anniversary of the Archduke’s assassination in Sarajevo.  Sam explained how language classes at KU will translate parts of the script into the languages of the characters involved in the historical event.  Over 40 languages are taught at KU, and this project will include translations of tweets into French, German, Serbian, Czech, Turkish, Russian and more.

Professor Vanchena’s and Sam’s lecture was held as part of the Watkins Museum’s monthly series dedicated to WWI topics. For more information about the museum and next month’s lecture, please visit the Watkins Museum website at: www.watkinsmuseum.org

For more information about upcoming KU WWI events, please go to: http://european.ku.edu/wwi-tribute